In Coralie Fargeat's new feminist horror film The Substance, dangerous popular elegance standards are the real monsters. They (female objectification, the fingertip of "the outdated," the proliferation of a market built on body adjustment) feed a beast of a cycle that leads Demi Moore's fading TV individual character Elisabeth https://moviesaboutzombies.ezblogz.com/61663730/the-substance-2024